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There's nothing so wrong about "The Seduction of Maxine" (aka "The Stalker") that a more seasoned director couldn't have fixed. Oh sure, it's no great Oscar movie by any stretch, but the acting is surprisingly reasonable for a film of this caliber, and the script, although by-the-numbers and heavily derivative (re: it's a direct copy) of Kevin Costner's "The Bodyguard", is not entirely incompetent. Heck, writer Montana Muirfield (gee, wonder if that's a pseudonym - nahhhhh) even throws in a last-minute plot twist that works - but only in the sense that you didn't see it coming because, honestly, it's idiotic and unreasonable.